Film tittle: Le Fabuleux Destin d'Amelie Poussain
Running time: 120 minutes
Starring: Audrey
Tautou, Mathieu Kassovitz, Rufus, Yolande Moreau, Dominique Pinon, Flora
Guiet
One woman decides
to change the world by changing the lives of the people she knows in this
charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie
(Audrey Tautou) is a young woman who had a decidedly unusual childhood which is
misdiagnosed with an unusual heart condition. Amelie didn't attend school with
other children, but spent most of her time in her room, where she developed a
keen imagination and an active fantasy life. Her mother, Amandine (Lorella
Cravotta) died in a freak accident when Amelie was eight, and her father
Raphael (Rufus) had limited contact with her, since his presence seemed to
throw her heart into high gear.
Despite all this,
Amelie has grown into a healthy and beautiful young woman who works in a cafe
and has a whimsical, romantic nature. When Princess Diana dies in a car wreck
in the summer of 1997, Amelie is reminded that life can be fleeting and she
decides it's time for her to intervene in the lives of those around her, hoping
to bring a bit of happiness to her neighbors and the regulars at the cafe.
Amelie starts by bringing together two lonely people, Georgette (Isabelle
Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique
Pinon), an especially ill-tempered customer. When Amelie finds a box of old
toys in her apartment, she returns them to their former owner, Mr. Bretodeau
(Maurice Benichou), sending him on a reverie of childhood. Amelie befriends
Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so
brittle, thanks to a rare disease, that everything in his flat must be padded
for his protection. And Amelie decides someone has to step into the life of
Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time
carnival spook-show ghost who collects pictures left behind at photo booths
around Paris.
In my opinion, this
film is about love, shyness, practical jokes and passport photographs. This
film is filled with great individual shots and ideas. One of the best comes
when Amelie stands high on the terrace of Montmartre and wonders how many
people in Paris are having orgasms at that exact instant, and we see them, 15
in all, in a quick montage of hilarious happiness.
Thus, it's a rare
pleasure to see a film where the parts gel so well that the finished result is
so perfect. The camerawork shows a Paris that is vivid and full of
extraordinary colours, almost a fairyland where Amelie is the lonely princess
without love. The comedy is subversive enough to satisfy the most cynical of
tastes and performances all round are first rate. In addition, this film is an
artistic movie, it is delightful and original, the film conjures up a corner of
Paris distinct and specific, yet fairy-tale fanciful.
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